The international world music community was moved to tears
when they heard sape music for the first time at the Worldwide Music
Expo (WOMEX 9) at the Palais du Pharo in Marseilles, France in 1997.
WOMEX is the largest gathering of music professionals in the World
Music business and it attracts performing artists, record company
executives, festival organizers, ethno-musicologists from around the
world.
The sape (also known as sampet, sampeh, sapeh) is a traditional
lute of many of the Orang ulu or upriver people, who live in the
longhouses that line the rivers of Central Borneo. The term Orang
Ulu includes a number of culturally diverse language groups. Not
all of them used the sape traditionally, but the instrument is growing
in popularity and is slowly making its way into all these cultures.
Sape is carved from a single bole of wood; many modern instruments
reach over 3 feet in length. Although a number of woods are suitable,
the best is said to be the tebuloh (a diptercarp), considered a
'bitter' wood avoided by insects. The frets are carved from palm
stalk, and held on by a gum made by the kelulut bee.
Initially, the sape was a fairly limited instrument with two strings
and only three frets. Its use was
restricted to a form of ritualistic music to induce trance. Yet
as groups such as the Kenyah andKayan embraced Christianity and
abandoned headhunting and its attendant rituals, many older instruments
disappeared, to be replaced by the sape. It gradually became a social
instrument, used as accompaniment for the surviving recreational
dances, and as a form of entertainment. Now considered a purely
musical instrument, the sape gained more strings and many more frets
to increase its range.